I got a fuzz 50 a wial back.realy cool fuzz with a ton of mojo.The vibe of this pedal is unreal,but it has its draw backs.The pedals max vol. is unity gain or slightly lower.And I don't find the max setting it's best feature.Also talked to sean and he said any increase in vol. on that design & the tone suffers.So I've been noddling around will this thing through my new amp A 60's Reverberocket.This amp has some sick reverb that boarders on delay sounds and the warmest tremolo I've heard.So I've got the trem & verb going full bore,doing some old shcool over reverbed blues riff w/ a clean tone ala Majic Sam & step on the fuzz 50(knob about 10 o'clock) .What a wonderful understated old shcool fuzz tone.not jumping out at you just grit & sustain.All the chime & texture of the clean tone still ringing through almost underneith.And if I needed to take a lead to that net ,more powerful 8 bars you sometimes get at the jam.I just kick the Orange Squeezer for more sustain & punch.Just perfect.
So next I pull out my buddies Keeley Fuzz Freek & start riffing on that(super nice pedal BTW.Got one on the way)& deside to do some Trower riffs.So trem on as fast as possable &phase 90 at noonish for a pseudo vibe,FuzzFreek set to hefty fuzz.Pretty convincing.Maybe not to a hard core hendrix guy or someone w/ a nice clone but suitable or a jam or a bar full of drunks that wouldn't know any better.I disided to hit the fuzz 50 for the lead tone & wow again it brought the mojo.I think its vol drop character w/ the fact it was coupling with another fuzz let it take the Fuzz Freek next level without making it crazy the way it can get with stacking gain pedals.Also I was still getting that stacked thing like with the blues tone. I could still hear the FFreek tone UNDERNEITH .The Fuzz 50 almost sat on top of it.So I start tring this with all my gain boxes & I'm finding this is where this thing realy shines.It just adds so much character to any thing its but into.This thing has no enemies.This has now found a perminate spot on my board .A fun new tool that almost got the boot for lack of umph but found itself staying for the same reason.

i think this is where the Balance works best as well. by itself, it's a good sounding pedal, but stacked is where it really shines.

and ampegs are great amps. period! whether from the "jazz/hi-fi'ish/Hull" era like your Reverberocket, or later "rock n roll" stuff.

Ya know that amp is realy weird.I had to redue all my pedals from setting one realy dark that I usualy use brite & so forth .But now that I got it dialed in ,it's my favorite amp.