I know people have varying opinions on Mike Fuller and his products... I'm very interested to hear if the Choralflange is worth checking out... I'm looking to add a wee bit of character to my clean tone... Right now, it consists of the neck pickup on a Telecaster with the tone rolled off about 40% into a Fender Twin... I don't want my tone to become the typcial, clicheed chorus sound... I just want to add a very slight, but beautiful, chorusing... Any help would be much appreciated!

-Dave Nailling

I had one. Great pedal that is very versatile to dial in many sound. Wish I'd of kept it.
Got the Analog Man Clone Clone on order for chorus, and I'm waiting for Foxrox to market his flange, which is the best I ever heard.

The CF kicks major butt . It always sounds good whether you set it subtle or drastic .

The stereo feature is great and really thickens the sound w/out any noise. The flange is pretty mild compared w/ the ADA but if you're looking to really thicken your sound w/ either chorus or flange this is a pretty cool pedal. Like I said the stereo funtion of this pedal is probably the best stereo flange/chorus I've heard.
A side note of interest, I read that the George Dennis flanger/chorus/volumn pedal is exactly the same pedal w/ the same chip??whatever they used for fulltone so that might be a much cheaper alternative.

Well I've had mine in my pedal board for over a year and half now (or is that two and a half?). It's been a permanent fixture in my board since I got it. It is just such a versatile pedal. It does the HiFi chorus sound better than the TC imho. It get's almost as lush and warm as the CE1, but not quite. And you have 100s of subtle variations between the two. And then the flanger section, though not as trippy as a A/DA or MXR (doesn't do the jet swooshes or steel drum stuff) is very musical and useable. It's not the most intuitive pedal with 5 nob (including the small volume knob) and two swithces, and the variations are endless, but always good sounding. I tend to keep mine set close to what Mike calls the "transparent chorus" but from time to time just flip a switch or twirl a knob to hear what happens - it always sounds good.